Three States After

We are in California.

Let me explain.

On Monday the 18th, three days ago, Jess and I literally stuffed our belongings into a 5x8 trailer attached to our humble (but ultimately Herculean) Honda CRV. It was raining and it turned out that several of our things wouldn't fit, resulting in the hasty posting of "Free" or "Today Only" Craigslist adds. A Russian lady collecting things for her church charity went away with the box-spring and gave us a huge bag of apples (more on those later). Several breakdowns, moist towelettes, and oven cleaner later, there we were, standing in an empty, echoing structure that had been our home for a year.

On Tuesday the 19th, two days ago, we got up early with the sun, around 5:30, cleared out the rest of our essentials and hopped in the car. Numi had his dog bed situated in the back seat behind me, the navigator, out-loud reader of Sherlock Holmes, and occasional DJ, although we spent a great deal of the drive in contented silence, listening to the wind in a very zen-like way. Jess required only iced coffee to drive the pants off the western end of the country, and that with a frightening trailer behind us. It was heavy. It was sluggish. The chain occasionally came off, making sprightly jangling noises and requiring a speedy rescue. The tongue was quite low and made getting in and out of gas stations an adventure. We were so concerned with the maneuvering of the trailer that we entirely forgot to feel sad about leaving Spokane. Before we knew it, we were in Ritzville (not quite as ritzy as we hoped), taking the 395 to the Columbia River. We ended up staying on the north side of the river, an undulant road that made up for efficiency in poignant beauty. Passing into Oregon, the plants became a bit hardier, the roads windier, and the semis crazier. We stopped at a KOA outside of Culver, the same camp ground we used two years ago. Jess has a great picture of our stay. Hot dogs and Safeway salad-in-a-bag never tasted so good and 'smores are just as good on a BBQ.

On Wednesday the 20th, one day ago, we got up and went south, spending the long, wooded corridors of the Deschutes National Forest in good conversation. Through Klamath Falls and out through the border town of Dorris, CA. (We forgot to declare our Washington apples to the border inspector, and I'd like to take this opportunity to apologize for any environmental catastrophes that may ensue.) Around this time the temperature jumped about 20 degrees and our black lab let us know that he was warm to say the least. Butte Valley is lovely and Shasta Lake quite picturesque. Though I have seen it before, Mt. Shasta struck me differently this time, its vastness and solitude giving it a bit of a mystic, elemental, Titan quality that I don't usually catch. We got off the 5 and went through Chico (ew), and through two-lane, fruit stand-lined byways through Oroville and Marysville, driving past the very Carl's Jr. where we purchased Numi, almost four years ago, popping out in Lincoln. We made it into Roseville and squeezed through the back alleys in my mother-in-law Kathy's house.

On Thursday the 21st, today, I am sitting on a bed writing a blog post about an epic, 815ish mile trip that has already begun to fade into shadowy memory. The reminders of change are constant and often overwhelming, but I have my Jess and my Numi and my boxes of sheet music and the prospects of more adventures to come. I think we'll start with dessert.

The Writing of a Master's Thesis: A Series in Nine Photos

Someone discovered Instagram filters! And also wrote his Master's Thesis! Eternal thanks to my wife for reminding me to eat.

The thesis begins in relative cleanliness, nourishing itself on a diet of tea and succulent fruits.

The thesis begins in relative cleanliness, nourishing itself on a diet of tea and succulent fruits.

The chaos of disorder is held at bay by the addition of decorative flowers.

The chaos of disorder is held at bay by the addition of decorative flowers.

Though at first sight suspect, honey-avocado sandwiches give the thesis the energy it needs.

Though at first sight suspect, honey-avocado sandwiches give the thesis the energy it needs.

A battery of orchids, cinnamon-swirl bread, and inspirational quotation pictures buoy the thesis in perseverance. 

A battery of orchids, cinnamon-swirl bread, and inspirational quotation pictures buoy the thesis in perseverance. 

Cue the Joe-Joe's! Maybe the bag of rock-hard dry apricots balance out the jolt of sugary goodness.

Cue the Joe-Joe's! Maybe the bag of rock-hard dry apricots balance out the jolt of sugary goodness.

Peanut butter/banana smoothie... fresh in the blender!

Peanut butter/banana smoothie... fresh in the blender!

When the sun comes out, the thesis would be completely daft not to take advantage of it. It feels perfectly at home with other animals, such as the noble, grass-devouring labrador, with whom the thesis has a symbiotic, don't-bother-me-now relationsh…

When the sun comes out, the thesis would be completely daft not to take advantage of it. It feels perfectly at home with other animals, such as the noble, grass-devouring labrador, with whom the thesis has a symbiotic, don't-bother-me-now relationship. 

At this stage in the life of the thesis, trail mix can either be eaten by the handful, or all the dried cherries can be picked out individually. Just be careful of drinking water with all that dried fruit.

At this stage in the life of the thesis, trail mix can either be eaten by the handful, or all the dried cherries can be picked out individually. Just be careful of drinking water with all that dried fruit.

The printed thesis seems harmless enough. All the books, blenders, cups, plates, and orchids have been packed. Even the table is being sold. Look for your own copy of the thesis wherever unpublished academic resources are sold/loaned/provided online.

The printed thesis seems harmless enough. All the books, blenders, cups, plates, and orchids have been packed. Even the table is being sold. Look for your own copy of the thesis wherever unpublished academic resources are sold/loaned/provided online.

Dues Paying Member of the ISFA

Packing all your possessions into brown boxes eventually uncovers all manner of interesting things. There’s the Tupperware full of miniature Star Wars figures. A one hundred page book I wrote in sixth grade called “The Three Treasures”. A flash drive of Jessica’s Dad’s ebooks. Prayer beads. A broken accordion. Postcards from London. It’s challenging to encounter these reminders and symbols of life. You have to come to grips with your own materialism.

On the brighter side I found my old acceptance letter into the National String Figure Association. Yes. No joke. Just imagine 15 year-old MR with a length of knotty yarn eagerly flipping through a highly pedantic anthropological journal. “String figure enthusiasts are everywhere, but notoriously difficult to identify — I’m glad you found us!” Yes, Dr. Mark Sherman sure was glad of my support in September of 1999. In addition to ISFA I also remember memorizing whole sections of a C.F. Jayne’s “String Figures; A Study of Cat’s-Cradle in many Lands” (1906) in a corner of the Inyo County Library as well as printing off pages of the Arctic String Figure Project. Let’s just say I was serious.

A photo from Jayne's book. Essentially a picture of me.

A photo from Jayne's book. Essentially a picture of me.

The funny thing is that the moment I found these old journals and pamphlets I scrounged around for a length of twine and plopped myself on the couch to make a Kiwi and a Boat and a Gourd (and failing miserably at the Fox and Whale). String figures are truly fascinating. I always consider the ingenuity of people who did not have television. Instead they composed visual aids to epic stories, made magic tricks, constructed devices for predicting the gender of a baby, engaged in creativity competitions, or just passed the time. I love to consider the infinite possibilities that lay latent in a ridiculously simple length of string. The dancing of the fingers call forth all manner of beautiful things from such humble beginnings. I also love that moment when a tangled knot wrapped around your fingers suddenly stretches out into a beautiful image, mathematically proportioned, fragile and sustained by the even tension of your fingers, shining for a moment before slinking back into a common loop of twine. It’s like music, that structure from chaos and manifold variations.

Another picture from the Jayne book. This is one of my favorite figures, but it really only works if you have a 10-foot loop. 

Another picture from the Jayne book. This is one of my favorite figures, but it really only works if you have a 10-foot loop. 

I think I’ll hold on to some of these things a little longer. Who knows when I’ll find another “string figure enthusiast.”

PS!Just found two string figures collected from the Salish Native Americans who lived in the Spokane area. Extremely cool. Check it! One is called “Dressing a Skin” and the other “Pitching a Tent” which is identical to “A Fish-Spear” (and was called “Witch’s Broom” in my little Sister’s book as a toddler). 

Children of the Sun

Yesterday I read online that the word Spokane means “Children of the Sun.” I thought to myself, “That’s amazing! What a cool city name!” In our visit to the town last weekend I we were challenged and graciously corrected by the locals in the exact or disputed pronunciation of such streets and parks as Manito and Tekoa. This sets my mind a’ thinkin’ and before you know it I’m deep in a linguistic and cultural tangent. And here we are, 24 hours later with a little blurb on Npoqínišcn or Spokane Salishan, the language of the Native Americans of the Spokane area.

Photograph of man wearing traditional Salish dress by unknown photographer.

Photograph of man wearing traditional Salish dress by unknown photographer.

I know very, very little about Native American languages: Paiute Code Talkers of WWII, Kostner in Dances with Wolves, a few words of “the language of the Aztecs” via my brother. My brother also imparted upon me a sense of the difficulty of these languages grammatically, phonetically, and the writing system.

Information on this language is frightfully scarce. The closest I could find to a tutorial is a small Language Program site set up by the Spokane Tribe of Indians. It has sound files, phrases, the alphabet, some songs, and a terrifying tale of a frog and a snake in which the frog ends very badly despite his insistent “Hoy, hoy, hoy, hoys!” This isn’t a language that you’ll find a Teach Yourself… version of. Apparently it is spoken by only about 50 people, that out of a 1,000 total ethnic population in the year 2000. Extremely sad. I was pretty bummed out about that today.

Chiefs witnessing the completion of Colville Dam in 1941 (source).

Chiefs witnessing the completion of Colville Dam in 1941 (source).

Still we do what we can and celebrate what will all be gathered up by loving hands someday. Sarah G. Thomason has written a very didactic paper that summarizes the challenging characteristics of this language group. Challenging is a rather loose term. Maybe horrifically Herculean. Or sadly Sisyphus-ian. Here are just a few of the linguistic characteristics:

A. Tons o’ consonants:

          1. Ejectives (or glottalic egressives): some sort of explosive, coughing “k”

          2. Lateral obstruents (or voiceless alveolar lateral fricative): a breathy “l” with a dash of “w”

          3. Voiced velar fricatives: think hard, gargly Gaelic “gh”

          4. Voiceless glottal stop: just what it sounds like

          5. And a phyrangeal approximant: choking

B. Consonant clusters:

          1. Take for example the simple word for “thank you”: lemlmtš

          2. Or “Where is the store?”: čen ɬuˀ sntumistn?

C. Oh yeah, and it’s written in American phonetic notation with all manner of crazy phonological import

D. Grammatical issues:
          1. Agglutination: prefixes, suffixes, and infixes that make one word say a sentence

          2. Some sort debatable nounlessness

          3. Loose word order

As you can see it’s quite baffling. There’s nothing like looking into the world of Npoqínišcn or Old Irish to make you appreciate the relative simplicity of German or French. Check out that Spokane Language Program site and hear the native speakers. It’s quite amazing.

With that I’m off to memorize my key phrase of the day: “I’m going to Spokane!”:

čiq xʷuy č’ sƛ̕etkʷ!

Conserted Consort: "And all the while sweete Musicke did apply Her curious skill, the warbling notes to play."

Although set in the faerie world of celestial Muses, medieval pageantry, and piping rustics, the historical context of Spenser’s “The Faerie Queene” plays a slightly different tune. Among the many industrious and illustrious composers of the 16th century I find the English composer William Byrd to have particular import to the audience and fairy world of Spenser’s epic.

Detail of Queen Elizabeth I's "Armada" Portrait (unknown artist, 1588).

Detail of Queen Elizabeth I's "Armada" Portrait (unknown artist, 1588).

The political/religious climes of England during the late 1500s were tense to say the least. Protestant England was beset on all sides by Catholic neighbors (Ireland, sometimes France, Spain, Scotland) in a highly hostile and competitive world (think the looting of the New World and Burt Lancaster as the Crimson Pirate). In Book V Spenser wrestles allegorically with the trial and execution of the Catholic Mary, Queen of Scots by Protestant Queen Elizabeth in 1587, an event that shook the current understanding of the divine justice of absolute monarchy.

Add to this mix William Byrd (1543-1623): virginalist, sheet music baron, CoE anthem composer, musician of the Royal Chapel, and Catholic. It is an outstanding testament to the favor that he somehow achieved with Queen Elizabeth that he retained his faith in the face of so much hostility. The same mind that wrote beautiful motets for the Church of England also wrote exquisite Latin Masses for three, four or five voices to be sung in secret. I’m listening to the Mass for four voices now. The texture is so private and supplicating and earnest. I love the declamations of the Gloria. Gorgeous. And the historical context lends it such honesty– far removed from the posturing of the courtiers.

I have known and enjoyed Billy Byrd primarily through various compilations of his keyboard pieces for virginal. In collections such as the Fitzwilliam Virginal Book and My Ladye Nevells Booke we observe the composer in more a posturing role. If not outright composing pieces dedicated to powerful patrons, he is at least contributing to the culture of the refined lord and lady, masters of the arts and yet disdainful of excess. (That being said it must have been a hard blow for the gallant duke or duchess who picked up the Fitzwilliam and found John Bull’s 30 Variations on Walsingham yawning like Charybdis before them!) I particularly enjoy such song variations of Byrd as Jhon come kisse me now, 16 variations on a lovely, mushy love song with modal, hexachord spices. The Bells extracts 9 variations out of a two note bass figure with something of a minimalistic, meditative rhythm. Ut, re mi, fa, sol, la and Ut, mi, re show Byrd at a very pedantic and ambitious mode, exploring distant tonalities with all manner of strange accidentals.

Vermeer's Young Woman Seated at a Virginal (1670-72). And after that scales and arpeggios on the viol. Then lunch.

Vermeer's Young Woman Seated at a Virginal (1670-72). And after that scales and arpeggios on the viol. Then lunch.

So check out Byrdman when you can. The Petrucci Music Project has a lot of his virginal pieces as well as his Mass for five voices in sheet music form. (Love that Petrucci and his projects!) The virginal as an instrument is surely a strange and acquired taste. (I believe Stravinsky compared it to the sound of two skeletons copulating on a tin roof.) I love it and would encourage you to listen to a good recording from a skilled musician with life in their fingers and hearts. Kathryn Cok plays an extremely amazing Walsingham on her Lyrichord Early Music album entitled “Dr. Bull’s Jewel”.

Lastly an excerpt from a contemporary of Spencer and Byrd, the dashing and tragic Sir Phillip Sidney: “Astrophil and Stella”, Sixth Song.

Music doth witness call
The ear his truth to try;
Beauty brings to the hall
The judgment of the eye;
Both in their objects such
As no exceptions touch.

The common sense, which might
Be arbiter of this,
To be forsooth upright,
To both sides partial is;
He lays on this chief praise,
Chief praise on that he lays.

The reason, princess high,
Whose throne is in the mind,
Which music can in sky
And hidden beauties find,
Say whether thou wilt crown
With limitless renown?